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Original Title:	Cahier d'un retour au pays natal
Edition Language:	French

Cahier d'un retour au pays natal Paperback | Pages: 93 pages

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" Et nous sommes debout maintenant, mon pays et moi, les cheveux dans le vent, ma main petite maintenant dans son poing énorme et la force n'est pas en nous, mais au-dessus de nous, dans une voix qui vrille la nuit et l'audience comme la pénétrance d'une guêpe apocalyptique. Et la voix prononce que l'Europe nous a pendant des siècles gavés de mensonges et gonflés de pestilences, car il n'est point vrai que l'oeuvre de l'homme est finie que nous n'avons rien à faire au monde que nous parasitons le monde qu'il suffit que nous nous mettions au pas du monde mais l'oeuvre de l'homme vient seulement de commencer et il reste à l'homme à conquérir toute interdiction immobilisée aux coins de sa ferveur et aucune race ne possède le monopole de la beauté, de l'intelligence, de la force et il est place pour tous au rendez-vous de la conquête et nous savons maintenant que le soleil tourne autour de notre terre éclairant la parcelle qu'à fixée notre volonté seule et que toute étoile chute de ciel en terre à notre commandement sans limite. "

Librarian's note: See alternate cover edition of ISBN 2708704206 here.

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Title	:	Cahier d'un retour au pays natal
Author	:	Aimé Césaire
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 93 pages
Published	:	June 11th 2000 by Presence Africaine (first published 1939)
Categories	:	Poetry. Cultural. France. Classics. European Literature. French Literature

Rating Out Of Books Cahier d'un retour au pays natal

Ratings: 4.1 From 1576 Users | 101 Reviews

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Marvelous. Marvelous. I'd forgotten so many details about this poem. The facing edition is an angry pleasure for the tongue.

A PRODUCT OF LITERARY FUSIONAime Cesaire's Return to My Native Land, one of the great prose-poetry works of the twentieth century, was parented by not one but three literary movements: the Negritude movement, the Harlem Renaissance, and French surrealism. The book's very rich suffusion of cultural and political nuances may be attributed to the Harlem Renaissance and the Negritude movement while its linguistic dexterity and philosophical daring would have to acknowledge some allegiance to French

"I was hiding behind a stupid vanity destiny called meI was hiding behind it and suddenly there was a man on the ground,his feeble defenses scattered,his sacred maxims trampled underfoot, his pedantic rhetoricoozing air through each would.there was a man on the groundand his soul is almost nakedand destiny triumphs in watching this soul whichdefied its metamorphosis in the ancestral slough."Absolutely fantastic work. An essential convergence of surrealism and decoloniality upon a guttural,

The lack of a full five is simply because you should read the bilingual edition instead, or the unexpurgated one - but, to be honest, anything is better the nothing at this point

"Vainly in the tepidity of your throat you ripen for the twentieth time the same indigent solace that we are mumblers of words.Words? while we handle quarters of earth, while we wed delirious continents, while we force steaming gates, words, ah yes, words! but words of fresh blood, words that are tidalwaves and erysipelas and malarias and lava and brush fires, and blazes of flesh, and blazes of cities . . ."It might be odd for me to say that I enjoyed this poem. It definitely wasn't cheery and

"At the end of the small hours: this town, flat, displayed, brought down by its common sense..."Against the hate and exoticism Europeans unleashed for centuries on Caribbean and African lands, this haunting litany, this rhapsodic celebration of Cesaire's native Martinique, a place where "the daylight comes velvety like the sapodilla berry, the smell of liquid manure from the coconut palm" is more than glorious locales. It is a dream inside a nightmare, a poem in which the very language is

Aimé Césaire is the father of Martinican literature. In his Cahier, he explores his roots in his native Martinique and looks with an often angry voice at the repression of his fellow islanders. The Cahier is a poem directed at enlightening the views of his fellow countrymen and giving them a point at which to resist their colonial masters, to escape the bonds of Negrédom, the chains of slavery that bound them in the triangular slave trade culture and left them in the sugar cane fields of